top of page

ANDREA MERENZON

 

Fagotista y Productora Cultural / Bassonist & Cultural Producer

ABOUT ME

Latin Grammy 2005 - Producer best classical album.

Woman of the year 2005. Diario Clarín 

Teatro Colon´s former Artistic Manager of  Symphonic and Chamber Music 

Buenos Aires Music International Festival Artistic Director

Buenos Aires International Youth Orchestra Festival Director, 

“Iguazú in Conciert” Children & Youth Orchestra International Festival Artistic Director, 

29th IDRS (International Double Reed Society) Conference Hostes. (2000) &Former Vicepresident (1997-2001) , 

FUNDECUA (Fundación para el Desarrollo la Cultura y el Arte) executive Director, 

“Musica Sin Edad” concert season artistic director 

Awards

"International Woman of the Year" Cambridge Biografical Institute (England).  1999, 

"Woman of the Year"  1998 American Biografical Institute (U.S.A.), Argentinean best woodwind performer Konex award  (1989-1999)

First Prizes of the following competitions: "Estímulo Cultural", "Promociones Musicales", "Jóvenes Solistas Ciudad de Mar del Plata” and "Bienal Nacional de Festivales Musicales”Best Argentine Music performance, Banco Mayo National Music Competition

 

Andrea Merenzon has performed as a Soloist with the following symphonic orchestras:

Nacional Argentina”, “Filarmónica de Buenos Aires”,  de Mar del Plata, de Bahía Blanca, de San Juan, de Córdoba, de Tucumán, de Santa Fé, de Entre Rios, de Cámara de la Plata, Latinoamericana de Juventudes Musicales (Uruguay), de Concepción (Chile), Indiana University (U.S.A.), Paris Sinfonietta and Toulouse Chamber Orchestra (France),  Adana (Turkey), Nacional Brasilera (Brasil) and the US Army Symphony (US).


She has performed recitals and appeared as a soloist in France, Iceland, Uruguay, Brasil, Chile, México, U.S.A., Canada and Turkey.In Paris, she did première bassoon concertos by Julio Pardo, Augusto Rattenbach, Roque de Pedro, Astor Piazzolla-Gabriel Senanes and Alonso Crespo.
 

In 1996 she preformed  as soloist with Sinfonietta de Paris orchestra at the Renowned Peyel Hall (Paris).

„She was specially invited by IDRS to attend International Confernece  in Talahassee, Chicago, Arizona, Wisconsin, West Virginia, (U.S.A) and Banff Center (Canadá).


She is member of  the Buenos Aires Teatro Colón Philharmonic Orchestra  and the Numen Woodwind Quintet since 1987.
She recorded 10 CD as soloist & chamber music.
She perform and record on bassoon , clarinet and piano with famous Cuban clarinet Paquito d´Rivera
Miss

Andrea Merenzon began her bassoon studies with her father Alberto Merenzon and her Chamber Music studies with Mariano Frogionni. She was granted a scholarship by the Teatro Colón Foundation to study with Sidney Rosemberg at Indiana University, U.S.A. Later took graduate courses with Klauss .Thunemann (Germany) and Nöel Devos (France). 

Si te postran diez veces, te levantas
otras diez, otras cien, otras quinientas:
no han de ser tus caídas tan violentas
ni tampoco, por ley, han de ser tantas.

Con el hambre genial con que las plantas
asimilan el humus avarientas,
deglutiendo el rencor de las afrentas
se formaron los santos y las santas.

Obcecación asnal, para ser fuerte,
nada más necesita la criatura
y en cualquier infeliz se me figura
que se mellan los garfios de la suerte…

¡Todos los incurables tienen cura
cinco minutos antes de su muerte

Teatro Colon Andrea dirigiendo 1 - copia.jpg
  • Icono social LinkedIn
  • Facebook Classic
  • YouTube
  • Icono social de Spotify

Av Córdoba 2555 5º
Buenos Aires 1120 ARGENTINA

andreamerenzon@gmail.com
Tel :: +541149615593
  © 2014 Andrea Merenzon

"... for many years I have understood that a single person does not change the world, nor does he manage to reverse injustices, but many DOING LITTLE, YES. That prestigious NGOs are sustained by the effort of those who cannot contribute their time. My time is exhausted with the specific actions aimed at my sector but, guilt does not contribute anything constructive, so I assumed my responsibility by providing resources so that others can continue investing their efforts and achieve the necessary changes. These organizations are indisputable and valuable, not there are doubts as to where the resources go, you don't have to be a billionaire philanthropist.  Perhaps the concept of the tithe that governs religious contributions,  It can be an alternative to evaluate and collaborate with the NGOs that each one considers are related to them.
This has been my decision and I only manifest it as one more idea for so many good people, who feel pain but do not know how to shovel it.
  In Argentina, philanthropy has not been part of our education, nor can we perceive the great satisfaction it brings.
THIS IS MY VISION, HONEST, SINCERE AND SUPPORTIVE.

ANDREA MERENZON

AV. Córdoba 2555 5 ° Piso

CABA 1120

ARGENTINA

andreamerenzon@gmail.com

www.andreamerenzon.com

fundacion-huesped-logo.png
lbv_argentina-ot.png
2.png
1.png
799px-Cruz_Roja_Argentina.svg.png
Logos fundecua TRANSPARENTE NUEVO sin we.webp
bottom of page